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September 30, 2017

         在我看來,山水畫之所以不是風景,在於它訴說的實際是思、是寂寞、是鄉愁,甚至是超越一切進入無所求的心靈曠達,而這一切只不過透過筆墨為引,化為內在履痕的詩。

         遠從南北朝開始,隨著政治、宗教與文學的影響,山水林泉漸次取代人物,成為繪畫的創作主題;大自然以其性靈清寂,召喚了騷人墨客對身處萬物的吟詠,透過文學上的陶淵明、謝靈運,與繪畫裡的宗炳、王維,無論是趨避現實的潛遁、或是老病臥游的嚮往,山林文學逐漸奠基出人與自然的藝術境界。從山水畫的發展看來,它以純水墨「運墨而五色...

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September 30, 2017

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